Camille Pissarro
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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Camille Pissarro Woman sewing oil painting


Woman sewing
mk103 1895 Oil on canvas 65.4x54.4
Painting ID::  35553 		Camille Pissarro
Woman sewing
mk103 1895 Oil on canvas 65.4x54.4
   
   
     
Camille Pissarro Minette oil painting


Minette
mk103 1872 Oil on canvas 45.9x35.6
Painting ID::  35554 		Camille Pissarro
Minette
mk103 1872 Oil on canvas 45.9x35.6
   
   
     
Camille Pissarro Portrait of Paul Cezanne oil painting


Portrait of Paul Cezanne
mk103 1874 27x21.4
Painting ID::  35555 		Camille Pissarro
Portrait of Paul Cezanne
mk103 1874 27x21.4
   
   
     
Camille Pissarro Portrait of Eugene Murer oil painting


Portrait of Eugene Murer
mk103 1878 Oil on canvas 64.4x54.3
Painting ID::  35556 		Camille Pissarro
Portrait of Eugene Murer
mk103 1878 Oil on canvas 64.4x54.3
   
   
     
Camille Pissarro Young Farmgirl oil painting


Young Farmgirl
mk103 c.1882 Oil on canvas 38x46
Painting ID::  35557 		Camille Pissarro
Young Farmgirl
mk103 c.1882 Oil on canvas 38x46
   
   
     
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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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